Dani Larkin’s music is indelibly tied to her relationship with the Irish land.
Direct and deliberate, Sprints speak keenly to life as a young person in Ireland.
Like their preceding singles “Home” and “No Patience,” the latest release from HAVVK is charged with the competing energies of calm and chaos.
A darling of both Irish Twitter and the fledgling live music scene in Dublin City, it goes without saying that Rebecca Locke’s brand of frenzied confessional pop deserves equal credence to their online shitposts.
Gadget and the Cloud, aka Kelly Doherty, whisks you away with her brilliantly layered electronic music.
A quintessentially queer quartet, Babylamb having been hitting all the high notes since their first single “Bodyright.”
“HEAL” proves both contemplative and sultry, a chance for Mai to show off her incredible vocal chops as well as her lyrical prowess.
Antrim singer/songwriter Niall McDowell is the latest artist making country music cool again.
Art-punk trio Pretty Happy are gloriously gritty and unconventional.
The track touches on the media’s exploitative treatment of queer activist Nell McCafferty.
Listeners are simultaneously thwarted back and forth by walls of distortion, rattled by the rush, and comforted by Molly Noise’s emotional candour.
Normalising woman-loving-woman relationships, Arlo is a shining light for the younger queer community.
From BABA to Saint Sister, check out our favourite music from May.
With over 220,000 YouTube subscribers, the virality of Sammy Copley’s music clashes with its humble nature in the absolute best way.
The Derry three-piece are riding the exuberant wave of pop punk sweeping the globe right now.
Their latest song, “Holy Roses,” is a “moment of reckoning” for frontwoman Faye O’Rourke, as well as a deeply personal and cathartic listen.